{"title":"Jenny Saville","description":"","products":[{"product_id":"jenny-saville-oxyrhynchus-book","title":"Jenny Saville: Oxyrhynchus","description":"\u003cp\u003eThis book was published on the occasion of \u003cem\u003eJenny Saville: Oxyrhynchus\u003c\/em\u003e at Gagosian, Britannia Street, London, the first-ever solo exhibition of Saville’s paintings in London.\u003c\/p\u003e\u003cp\u003eThe publication features more than a dozen works from 2006 to 2014 in which the artist references the layers upon layers of discoveries at Oxyrhynchus, a city in upper Egypt that was established in 332 BCE and is considered one of the world’s most important archaeological sites. In a combination of oil, charcoal, and pastel, Saville conveys a mysterious narrative of layered bodies and images.\u003c\/p\u003e\u003cp\u003eAn essay by art historian John Elderfield, built around the observations of multiple past voices and the artist herself, captures the temporal culture of visual art to which the \u003cem\u003eOxyrhynchus\u003c\/em\u003e canvases belong. Alongside reproductions of the artworks, numerous full-bleed details and installation photographs of the exhibition are included.\u003c\/p\u003e","brand":"Gagosian","offers":[{"title":"Default Title","offer_id":41168753131677,"sku":"GGI\/CMS_JSAVI08","price":100.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0263\/1503\/0621\/products\/saville_oxyrhynchus_c0bad4da-810c-4b7f-9494-6ae336dffa18.jpg?v=1633708981"},{"product_id":"jenny-saville-2018-monograph","title":"Jenny Saville","description":"\u003cp\u003eCompiled in close collaboration with the artist and unprecedented in its scope, this definitive volume collects over twenty-five years of Jenny Saville’s paintings and works on paper as well as previously unseen archival photographs of the artist and her studio, and offers a glimpse into her working process via various reference materials. Devoted to exploring Saville’s practice from multiple entry points and featuring never-before-published paintings from \u003cem\u003eAncestors\u003c\/em\u003e, Saville’s 2018 exhibition at Gagosian in New York, this is the most comprehensive monograph to date.\u003c\/p\u003e\u003cp\u003eMoving chronologically in reverse, the volume explores every facet of Saville’s singular vision, chief among them her enduring fascination with the visceral qualities of the body. Essays by art historians Richard Calvocoressi and Mark Stevens mine the artist’s rich work and uncover a trove of associations within a broad art historical context. An extensive conversation between Saville and photographer Sally Mann investigates themes, process, and inspiration. Completing the volume is an extensive illustrated chronology of Saville’s life and career by Lauren Mahony. This handsome slipcased monograph is a singular addition to the library on one of the world’s most influential living painters.\u003c\/p\u003e","brand":"Gagosian","offers":[{"title":"Default Title","offer_id":41168753328285,"sku":"GGI\/CMS_JSAVI12","price":150.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0263\/1503\/0621\/products\/saville_monograph_2018_ffb90320-4b6f-4469-aeed-46dca838c9a7.jpg?v=1633708982"},{"product_id":"jenny-saville-elpis-book","title":"Jenny Saville: Elpis","description":"\u003cp\u003eThis book was published on the occasion of \u003cem\u003eJenny Saville: Elpis\u003c\/em\u003e, an exhibition of new portraits by the artist at Gagosian, 980 Madison Avenue, New York. The monumental paintings explore the human body and its fascinating aesthetic potential. Saville’s bold and sensuous impressions of surface, line, and mass oscillate between rational and irrational forms, capturing a unique approach to realism specific to the twenty-first century.\u003c\/p\u003e\u003cp\u003eThe publication documents the twelve paintings in the exhibition alongside photographs of the artist’s studio and reference materials, including snapshots taken by Saville. It also features a poem by Anna Akhmatova, whose work Saville learned about while she was in Russia, where she photographed many of the models pictured in the paintings.\u003c\/p\u003e","brand":"Gagosian","offers":[{"title":"Default Title","offer_id":41168760733853,"sku":"GGI\/CMS_JSAVI13","price":60.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0263\/1503\/0621\/products\/saville_elpis_1b90882e-d61b-46f0-b9a9-d601406a8530.jpg?v=1633709039"},{"product_id":"jenny-saville-continuum-the-mothers-poster","title":"Jenny Saville: Continuum","description":"\u003cp\u003eThis poster featuring \u003cem\u003eThe Mothers\u003c\/em\u003e (2011) was produced in 2011, in conjunction with \u003cem\u003eJenny Saville: Continuum\u003c\/em\u003e at Gagosian, 980 Madison Avenue, New York. The painting is from a series of life-size works depicting the intimate relationship between mother and child inspired by Renaissance nativity portraits. Multiple impressions of each figure are drawn, erased, and superimposed to create a work in simultaneity; the relationship between the subjects is expressed in a series of dynamic poses rather than in a static composition of iconographic order.\u003c\/p\u003e","brand":"Gagosian","offers":[{"title":"Default Title","offer_id":41168778461341,"sku":"GGI\/CMS_JSAVI03","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0263\/1503\/0621\/products\/saville_continuum_v1_poster_9c7e75fd-8268-40c0-a3f3-b59574726383.jpg?v=1633709157"},{"product_id":"jenny-saville-continuum-red-stare-head-iv-poster","title":"Jenny Saville: Continuum","description":"\u003cp\u003eThis poster featuring \u003cem\u003eRed Stare Head IV\u003c\/em\u003e (2006–11) as produced in 2011, in conjunction with \u003cem\u003eJenny Saville: Continuum\u003c\/em\u003e at Gagosian, 980 Madison Avenue, New York. In her \u003cem\u003eStare\u003c\/em\u003e paintings Saville renders the features of the face and the nuances of skin texture and color in strokes both bold and meticulous. Enlarging the facial features of her human subjects to a vast scale and portraying them in layer upon layer of paint, she imbues them with a sense of mass and weight that is almost sculptural and at times wholly abstract.\u003c\/p\u003e","brand":"Gagosian","offers":[{"title":"Default Title","offer_id":41168778657949,"sku":"GGI\/CMS_JSAVI04","price":20.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0263\/1503\/0621\/products\/saville_continuum_v2_poster_820961f1-872e-4742-bbff-85db3cb52646.jpg?v=1633709159"},{"product_id":"gagosian-quarterly-magazine-summer-2018","title":"Gagosian Quarterly: Summer 2018 Issue","description":"\u003cp\u003eThe \u003ca href=\"https:\/\/gagosian.com\/quarterly\/2018\/04\/30\/gagosian-quarterly-summer-2018\/\" target=\"_blank\" title=\"This is a link to read the Gagosian Quarterly Summer 2018 issue online\" rel=\"noopener noreferrer\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eSummer 2018 issue of \u003cem\u003eGagosian Quarterly\u003c\/em\u003e\u003c\/span\u003e\u003c\/a\u003e features Andreas Gurksy’s \u003cem\u003eEl Ejido\u003c\/em\u003e (2017) on its cover. Exploring the ever elusive role of inspiration, this issue examines how Cy Twombly incorporates his vast understanding of poetry into his work, and the strength and power of Jenny Saville’s large, fleshy painted bodies. Insightful articles take a closer look at Rachel Whiteread’s site-specific sculpture \u003cem\u003eUS Embassy (Flat pack house)\u003c\/em\u003e at the new American Embassy in London, Mark Tansey’s reverential friendships with Soviet Socialist Realist and Chinese painters, Jonas Wood’s printmaking practice, Jeff Koons’s love for the baroque, and much more.\u003c\/p\u003e","brand":"Gagosian","offers":[{"title":"Default Title","offer_id":41202138808477,"sku":"GGI\/CMS_QUART25","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0263\/1503\/0621\/products\/quarterly6_summer_2018.jpg?v=1634037547"},{"product_id":"gagosian-quarterly-magazine-spring-2019","title":"Gagosian Quarterly: Spring 2019 Issue","description":"\u003cp\u003eThe \u003ca href=\"https:\/\/gagosian.com\/quarterly\/2019\/02\/13\/gagosian-quarterly-spring-2019-magazine\/\" target=\"_blank\" title=\"This is a link to read the Gagosian Quarterly Spring 2019 issue online\" rel=\"noopener noreferrer\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eSpring 2019 issue of \u003cem\u003eGagosian Quarterly\u003c\/em\u003e\u003c\/span\u003e\u003c\/a\u003e features Jonas Wood’s \u003cem\u003eRed Pot with Lute Player #2\u003c\/em\u003e (2018) on its cover. Inside, Georg Baselitz discusses his latest work, the \u003cem\u003eDevotion\u003c\/em\u003e series, and Bob Monk and Maggie Dougherty take a look at the primary sources behind some of Richard Artschwager’s most iconic paintings. Thelma Golden and Sir David Adjaye OBE talk about the future home of the Studio Museum in Harlem, New York, and Paul Goldberger reflects on art, architecture, and landscape at the newly expanded Glenstone in Potomac, Maryland. Jenny Saville and Sally Mann engage in a captivating conversation about the unexpected synergies in their artistic investigations. The issue also includes an interview with Jia Aili about his motivations, a consideration of Andy Warhol’s relationship to camp sensibilities, the debut of the first in a series of four short stories by Mark Z. Danielewski, and much more.\u003c\/p\u003e","brand":"Gagosian","offers":[{"title":"Default Title","offer_id":41202139234461,"sku":"GGI\/CMS_QUART28","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0263\/1503\/0621\/products\/quarterly9_spring_2019.jpg?v=1634037556"},{"product_id":"gagosian-quarterly-magazine-winter-2020","title":"Gagosian Quarterly: Winter 2020 Issue","description":"\u003cp\u003eThe \u003ca href=\"https:\/\/gagosian.com\/quarterly\/2020\/11\/03\/gagosian-quarterly-winter-2020-now-available\/\" target=\"_blank\" title=\"This is a link to read the Gagosian Quarterly Winter 2020 issue online\" rel=\"noopener noreferrer\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eWinter 2020 issue of \u003cem\u003eGagosian Quarterly\u003c\/em\u003e\u003c\/span\u003e\u003c\/a\u003e features Jenny Saville’s \u003cem\u003ePrism\u003c\/em\u003e (2020) on its cover. For this issue, the \u003cem\u003eQuarterly\u003c\/em\u003e invited a selection of artists, authors, and theorists to reflect on this perplexing moment in history and to speculate on how and where to find hope in the coming years. The issue includes an interview with Saville, as well as a special supplement guest-edited by curator Alison M. Gingeras and psychoanalyst Jamieson Webster, entitled “New Interiorities.” Meleko Mokgosi writes on his eight-chapter painting cycle \u003cem\u003eDemocratic Intuition\u003c\/em\u003e and provides an astounding reading list oriented around the question of democracy; Tatiana Trouvé shares a portfolio of drawings made during the initial pandemic lockdown; Anne Boyer’s short-story series “The Iconoclasts” culminates with its final installment; and much more.\u003c\/p\u003e","brand":"Gagosian","offers":[{"title":"Default Title","offer_id":41202140971165,"sku":"GGI\/CMS_QUART35","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0263\/1503\/0621\/products\/quarterly15_winter_2020.jpg?v=1634037578"},{"product_id":"gagosian-quarterly-magazine-winter-2021","title":"Gagosian Quarterly: Winter 2021 Issue","description":"\u003cp\u003eThe \u003cspan style=\"text-decoration: underline;\"\u003e\u003ca href=\"https:\/\/gagosian.com\/quarterly\/2021\/11\/05\/gagosian-quarterly-winter-2021\/\" target=\"_blank\" title=\"This is a link to read the Winter 2021 issue of Gagosian Quarterly\" rel=\"noopener noreferrer\"\u003eWinter 2021 issue of \u003cem\u003eGagosian Quarterly\u003c\/em\u003e\u003c\/a\u003e\u003c\/span\u003e features Jasper Johns’s \u003cem\u003eTarget with Four Faces\u003c\/em\u003e (1955) on its cover. Inside the issue Carlos Basualdo and Scott Rothkopf speak about the unprecedented retrospective \u003cem\u003eJasper Johns: Mind\/Mirror\u003c\/em\u003e with the \u003cem\u003eQuarterly\u003c\/em\u003e’s Alison McDonald. Also in this issue: a special supplement, “Social Works II,” guest-edited by Antwaun Sargent; a conversation with Rick Lowe; an archival essay on Richard Avedon’s \u003cem\u003eIn the American West\u003c\/em\u003e series by Larry McMurtry; the final installment of the \u003cem\u003eQuarterly\u003c\/em\u003e’s year-long fiction collaboration with PEN America; and much more.\u003c\/p\u003e","brand":"Gagosian","offers":[{"title":"Default Title","offer_id":41352393130141,"sku":"GGI\/CMS_QUART39","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0263\/1503\/0621\/products\/quarterly_winter_2021.jpg?v=1635913223"},{"product_id":"jenny-saville-pieta-i-poster","title":"Jenny Saville: Pietà I","description":"\u003cp\u003eThis poster featuring \u003cem\u003ePietà I\u003c\/em\u003e (2019–21) was produced in 2021 on the occasion of a multi-venue exhibition that placed Jenny Saville’s work in dialogue with masterworks of the Italian Renaissance across five museums in Florence: Museo Novecento, Museo di Palazzo Vecchio, Museo dell’Opera del Duomo, Museo degli Innocenti, and Museo di Casa Buonarroti.\u003c\/p\u003e\n\u003cp\u003eOver nine feet high, and made in charcoal and pastel on raw canvas, the large drawing pictured was installed in the Museo dell’Opera del Duomo adjacent to Michelangelo’s unfinished marble sculpture \u003cem\u003ePietà\u003c\/em\u003e (c. 1547–55), offering a revelatory encounter between the contemporary and the historical.\u003c\/p\u003e","brand":"Gagosian","offers":[{"title":"Default Title","offer_id":42266127728797,"sku":"GGI\/CMS_JSAVI14","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0263\/1503\/0621\/products\/saville_pieta_poster.webp?v=1650986020"},{"product_id":"jenny-saville-study-for-the-eyes-of-argus-t-shirt","title":"Jenny Saville: Study for the Eyes of Argus T-shirt","description":"\u003cp\u003eThis T-shirt was produced in 2021 on the occasion of a multi-venue exhibition that placed Jenny Saville’s work in dialogue with masterworks of the Italian Renaissance across five museums in Florence: Museo Novecento, Museo di Palazzo Vecchio, Museo dell’Opera del Duomo, Museo degli Innocenti, and Museo di Casa Buonarroti.\u003c\/p\u003e\n\u003cp\u003eThe front features Saville’s \u003ci\u003eStudy for the Eyes of Argus \u003c\/i\u003e(2021)—a large drawing of an eye, sketched in colored pencil—a distinctive example of the artist’s research focused on the body and flesh of her subjects.\u003c\/p\u003e","brand":"Gagosian","offers":[{"title":"Small","offer_id":42539321458845,"sku":"GGI\/CMS_JSAVI17S","price":20.0,"currency_code":"USD","in_stock":true},{"title":"Medium","offer_id":42539321491613,"sku":"GGI\/CMS_JSAVI17M","price":20.0,"currency_code":"USD","in_stock":true},{"title":"Large","offer_id":42539321524381,"sku":"GGI\/CMS_JSAVI17L","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0263\/1503\/0621\/products\/saville_tshirt.jpg?v=1656608067"},{"product_id":"haunted-realism-book","title":"Haunted Realism","description":"\u003cp\u003eThis book was published on the occasion of \u003ci\u003eHaunted Realism\u003c\/i\u003e, a group exhibition curated by Mark Francis at Gagosian, Grosvenor Hill, London. The exhibition was inspired by the concept of “hauntology,” which was explored in a broad cultural context by critic Mark Fisher, who observed that the aspirations of modernity are now “lost futures.” \u003ci\u003eHaunted Realism \u003c\/i\u003eexamines some of the ways in which artists—including Chris Burden, Douglas Gordon, Romuald Hazoumè, Ewa Juszkiewicz, Meleko Mokgosi, Cady Noland, Gerhard Richter, Jim Shaw, Tatiana Trouvé, and Rachel Whiteread—have approached this condition by confronting the accelerated flow of images in contemporary media culture. The catalogue features an essay by Michael Newman, a photo essay by Charles Ray, and an afterword by Mark Francis.\u003c\/p\u003e","brand":"Gagosian","offers":[{"title":"Default Title","offer_id":43048731672733,"sku":"GGI\/CMS_HREAL03","price":120.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0263\/1503\/0621\/products\/haunted_realsim_cover.jpg?v=1666801187"},{"product_id":"jenny-saville-oxyrhynchus-odalisque-poster","title":"Jenny Saville: Oxyrhynchus","description":"\u003cp\u003eThis poster featuring \u003ci\u003eOdalisque\u003c\/i\u003e (2012–14) was produced in 2014, in conjunction with the exhibition \u003ci\u003eJenny Saville: Oxyrhynchus\u003c\/i\u003e at Gagosian, Britannia Street, London. Depicting two fragmented and intertwined reclining nudes, the painting alludes to the eroticized painterly genre of its title, and to the ancient Egyptian archaeological site for which the exhibition was named—a place that Saville contemplates through depictions of paired faces and body parts that overlap with shadows and reflections.\u003c\/p\u003e","brand":"Gagosian","offers":[{"title":"Default Title","offer_id":43191554441373,"sku":"GGI\/CMS_JSAVI06B","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0263\/1503\/0621\/products\/saville_odalisque_poster.jpg?v=1669942457"},{"product_id":"jenny-saville-oxyrhynchus-untitled-poster","title":"Jenny Saville: Oxyrhynchus","description":"\u003cp\u003eThis poster featuring \u003ci\u003eUntitled\u003c\/i\u003e (2014) was produced in 2014, in conjunction with the exhibition \u003ci\u003eJenny Saville: Oxyrhynchus\u003c\/i\u003e at Gagosian, Britannia Street, London. In this pastel-and-charcoal on canvas work, Saville combines snaking charcoal lines with soft passages of color, imbuing her enduring subject—the human body—with an elusive dimensionality that verges on the abstract and evoking the layered and fragmented texts unearthed at the Egyptian archaeological site of Oxyrhynchus itself.\u003c\/p\u003e","brand":"Gagosian","offers":[{"title":"Default Title","offer_id":43191572332701,"sku":"GGI\/CMS_JSAVI06A","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0263\/1503\/0621\/products\/saville_oxyrhynchus_poster.jpg?v=1669942926"},{"product_id":"jenny-saville-rosetta-ii-poster","title":"Jenny Saville: Rosetta II","description":"\u003cp\u003eThis poster featuring \u003ci\u003eRosetta II\u003c\/i\u003e (2005–06) was produced in 2021 on the occasion of a multi-venue exhibition heldacross five museums in Florence—Museo Novecento, Museo di Palazzo Vecchio, Museo dell’Opera del Duomo, Museo degli Innocenti, and Museo di Casa Buonarroti—that placed Jenny Saville’s work in dialogue with masterworks of the Italian Renaissance.\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eRosetta II\u003c\/i\u003e is an oil painting on watercolor paper, mounted on board. Saville has described this striking large-scale portrait of a blind woman as a mystic in ecstatic concentration, which she produced while based in Naples, Italy, as “the first beautiful picture I made.” The fruit of a remarkable bond of trust and spiritual communion between painter and subject, it also reveals a dynamic, sensory approach to gesture and composition, color and texture.\u003c\/p\u003e","brand":"Gagosian","offers":[{"title":"Default Title","offer_id":43191590453405,"sku":"GGI\/CMS_JSAVI15","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0263\/1503\/0621\/products\/saville_rosetta_poster.jpg?v=1669944243"},{"product_id":"jenny-saville-ancestors-poster","title":"Jenny Saville: Ancestors","description":"\u003cp\u003eThis poster featuring \u003ci\u003eFate I\u003c\/i\u003e (2018) was produced in 2018, in conjunction with the exhibition \u003ci\u003eJenny Saville: Ancestors\u003c\/i\u003e at Gagosian, West 21st Street, New York. In this oil painting Saville melds human flesh with sculptural archetype to produce an extraordinary collage-style hybrid image. In picturing the body along with its art historical representation, Saville reflects on the intertwining of corporeal actuality and visual culture.\u003c\/p\u003e","brand":"Gagosian","offers":[{"title":"Default Title","offer_id":43191600873629,"sku":"GGI\/CMS_JSAVI11","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0263\/1503\/0621\/products\/saville_ancestors.jpg?v=1669944960"},{"product_id":"egon-schiele-jenny-saville-book","title":"Egon Schiele—Jenny Saville","description":"\u003cp\u003eThis book was published on the occasion of the exhibition \u003ci\u003eEgon Schiele—Jenny Saville\u003c\/i\u003e at Kunsthaus Zürich in 2014–15, which brought together works by the two artists for the first time. Revealing stylistic and thematic affinities in their body-landscapes and portraits despite the decades separating them and the differences in brushwork, curator Oliver Wick described the exhibition’s pairing as “a juxtaposition that unites contrast and convergence.”\u003c\/p\u003e\n\u003cp\u003eWith over 160 illustrations, this large-format English-edition exhibition catalogue reproduces paintings and works on paper by both artists at an expansive scale and features new scholarship on each artist separately and within the context of the other’s work. Oskar Bätschmann, Diethard Leopold, Helena Pereña, Franz Smola, and Wick analyze aspects of Schiele’s figure painting and landscapes; Maria Becker and Martin Harrison devote essays to Saville’s work; and Martin Harrison and Oliver Wick compare the two artists’ oeuvres. 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The publication also includes a foreword by Hope Alswang, a chronology, and lists of selected exhibitions, publications, and reviews.\u003c\/p\u003e","brand":"Not Gagosian","offers":[{"title":"Default Title","offer_id":43191623123101,"sku":"AB\/CMS_JSAVI01","price":150.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0263\/1503\/0621\/products\/saville_norton_cover.jpg?v=1669946651"},{"product_id":"jenny-saville-card-set","title":"Jenny Saville Card Set","description":"\u003cp\u003eThis card set was produced on the occasion of a multi-venue exhibition of Jenny Saville’s works in Florence curated by Sergio Risaliti, director of the Museo Novecento, Florence, in 2021–22. It includes twelve blank flat cards featuring key works from the exhibition, including \u003ci\u003eRosetta II \u003c\/i\u003e(2005–06), \u003ci\u003eThe Mothers\u003c\/i\u003e (2011), and \u003ci\u003ePrism\u003c\/i\u003e (2020).\u003c\/p\u003e\n\u003cp\u003eThis collaboration with four other museums in the city—Museo di Palazzo Vecchio, Museo dell’Opera del Duomo, Museo degli Innocenti, and Museo di Casa Buonarroti—placed Saville’s images in dialogue with masterworks of the Italian Renaissance, underscoring their shared monumentality and focus on the human body.\u003c\/p\u003e","brand":"Gagosian","offers":[{"title":"Default Title","offer_id":43191636689053,"sku":"GGI\/CMS_JSAVI16","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0263\/1503\/0621\/products\/saville_cardset_front.jpg?v=1669947378"},{"product_id":"sirens-jenny-saville-at-casa-malaparte-book","title":"Sirens: Jenny Saville at Casa Malaparte","description":"\u003cp\u003eThis book was published on the occasion of \u003ci\u003eSirens: Jenny Saville at Casa Malaparte\u003c\/i\u003e, a one-night-only exhibition in July 2021 at Casa Malaparte, the famous cliffside house built on the Italian island of Capri by Curzio Malaparte (the pseudonym of Kurt Erich Suckert), a provocative writer, editor, and intellectual active in the Italian literary and artistic avant-garde. Vibrant and gestural, Saville’s figurative paintings and works on paper included in the exhibition are titled after sirens, goddesses, and other figures from classical mythology. She worked on one monumental work, \u003ci\u003eThe Sirens\u003c\/i\u003e (2021), in situ on Casa Malaparte’s iconic roof terrace overlooking the Bay of Naples—the legendary home of these mythic creatures.\u003c\/p\u003e\n\u003cp\u003eThe catalogue reproduces all of Saville’s work as plates and installed amid the elemental forms of the house’s architecture, which frames dramatic vistas of water, stone, and trees. It includes a foreword by Diana Widmaier-Ruiz-Picasso and the essay “The Rainbow of the Flesh” by Emanuele Coccia, which discusses this body of work in terms of iridescent color, anatomical representation, and the exhibition’s unique site.\u003c\/p\u003e","brand":"Gagosian","offers":[{"title":"Default Title","offer_id":44781228327069,"sku":"GGI\/CMS_JSAVI18","price":80.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0263\/1503\/0621\/files\/malaparte_saville_cover_938936d2-b94e-4615-bdd0-609a2a2078c3.jpg?v=1711122507"},{"product_id":"great-women-painters-book","title":"Great Women Painters","description":"\u003cp\u003eThis groundbreaking book—titled after Linda Nochlin’s provocative 1971 essay “Why Have There Been No Great Women Artists?”—surveys more than three hundred women painters to present a rich and diverse global history that spans almost five centuries. \u003ci\u003eGreat Women Painters\u003c\/i\u003e continues Phaidon’s \u003ci\u003eThe Art Book \u003c\/i\u003eseries and champions a diverse narrative that incorporates both established and emerging artists, including many who worked despite challenges based on their gender.\u003c\/p\u003e\n\u003cp\u003eThe volume is introduced with an essay by curator and writer Alison M. Gingeras and features a profile of each artist written by one of a cadre of expert contributors as well as full-color illustrations of the artists’ works. The spotlighted artists include Hilma af Klimt, Cecily Brown, Jordan Casteel, Jadé Fadojutimi, Beverly Fishman, Helen Frankenthaler, Katharina Grosse, Shara Hughes, Karen Kilimnik, Maria Lassnig, Agnes Martin, Sarah Morris, Alice Neel, Hilary Pecis, Bridget Riley, Faith Ringgold, Dana Schutz, Lorna Simpson, Adriana Varejão, and Lisa Yuskavage, among others.\u003c\/p\u003e","brand":"Not Gagosian","offers":[{"title":"Default Title","offer_id":45165579436189,"sku":"AB\/CMS_GWART02","price":70.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0263\/1503\/0621\/files\/great_women_painters_coverjacket_c8e5f1e0-e823-485c-b200-98e8b5e13cf6.jpg?v=1714066522"},{"product_id":"cy-twombly-2025-book","title":"Cy Twombly","description":"\u003cp\u003eThis book was published on the occasion of \u003ci\u003eCy Twombly\u003c\/i\u003e at Gagosian, 980 Madison Avenue, New York. Featuring works from 1968 through 1990, the exhibition included three distinct bodies of work: “blackboard” paintings with terse white scrawls and loops made from 1968 through 1971; colorful, painterly canvases produced in Italy in the 1980s; and \u003ci\u003eFive Day Wait at Jiayuguan \u003c\/i\u003e(1980), a suite of works on paper that debuted at the 39th Biennale di Venezia.\u003c\/p\u003e\n\u003cp\u003eThe catalogue comprises two booklets in a hardcover portfolio-style case with ribbon closure. One volume reproduces twenty-two o\u003cspan style=\"color: rgb(0, 0, 0);\"\u003ef the exhibited works—\u003ca rel=\"noopener\" style=\"color: rgb(0, 0, 0);\" href=\"https:\/\/gagosianshop.com\/products\/cy-twombly-five-day-wait-at-jiayuguan-book\" target=\"_blank\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003ci\u003eFive Day Wait at Jiayuguan\u003c\/i\u003e is the focus of a separate facsimile publication\u003c\/span\u003e\u003c\/a\u003e—\u003c\/span\u003eand the second volume includes a foreword by Larry Gagosian, an essay by art historian Suzanne Hudson, and the transcription of a lecture by Jenny Saville originally delivered at the Menil Collection, Houston, in 2024. Hudson focuses on Twombly’s verdant works from the 1980s, discussing their evocation of the natural environment and painterly process, and analyzing their forms and critical reception in light of his oeuvre. Saville reflects on her encounters with Twombly, conveying insights about the significance of his work from her perspective as a fellow painter.\u003c\/p\u003e","brand":"Gagosian","offers":[{"title":"Default Title","offer_id":46421571764381,"sku":"GGI\/CMS_CTWOM61","price":100.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0263\/1503\/0621\/files\/ctwom61_980-front-web.jpg?v=1737675028"},{"product_id":"gagosian-quarterly-spring-2025-issue","title":"Gagosian Quarterly: Spring 2025 Issue","description":"\u003cp\u003eThe \u003ca href=\"https:\/\/gagosian.com\/quarterly\/issues\/spring-2025\/\" target=\"_blank\" title=\"This is a link to read the Spring 2025 issue of Gagosian Quarterly\" rel=\"noopener\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eSpring 2025 issue of \u003cem\u003eGagosian Quarterly\u003c\/em\u003e\u003c\/span\u003e\u003c\/a\u003e is now available, featuring Cy Twombly’s \u003cem\u003ePaesaggio\u003c\/em\u003e (1986) on the cover. In an excerpt from her lecture at the Menil Collection, Houston, Jenny Saville speaks about the influence of Twombly’s work on her own artistic formation and the world at large. Acclaimed author Catherine Lacey debuts the first installment of her 2025 fiction feature. In the realm of painting, the \u003ci\u003eQuarterly\u003c\/i\u003e presents Ed Schad on Takashi Murakami, Francine Prose on Sabine Moritz, and Sam Wasson on Alex Israel. A number of features focus on film, including interviews with David Cronenberg and Apichatpong Weerasethakul, as well as a close look at Lisa Immordino Vreeland’s new documentary on Jean Cocteau. Elsewhere in the issue, William Middleton takes us to the stage in a conversation with Isabelle Huppert and Robert Wilson about their latest collaboration, \u003cem\u003e\u003cspan\u003eMary Said What She Said\u003c\/span\u003e\u003c\/em\u003e; as part of a panel discussion convened at Storm King Art Center, New Windsor, New York, Taryn Simon speaks about her interactive sculpture \u003cem\u003eKleroterion\u003c\/em\u003e\u003cspan\u003e (2024); and much more.\u003c\/span\u003e\u003c\/p\u003e","brand":"Gagosian","offers":[{"title":"Default Title","offer_id":46523441578141,"sku":"GGI\/CMS_QUART53","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0263\/1503\/0621\/files\/33_Spring_2025_cover.jpg?v=1740408805"},{"product_id":"jenny-saville-gaze-print","title":"Jenny Saville: Gaze","description":"\u003cp\u003eThis limited-edition print by Jenny Saville reproduces her oil portrait painting \u003ci\u003eGaze\u003c\/i\u003e (2021–24). In her depictions of the human form, Saville transcends the boundaries of figuration and abstraction with layers of paint becoming as visceral as flesh itself. \u003ci\u003eGaze\u003c\/i\u003e is dominated by its subject’s penetrating blue eyes and characterized by passages of color in broad brushstrokes, the fleshy impasto surfaces of which underscore the sitter’s humanity. Combining traditional portraiture with painterly exploration, Saville’s print achieves a heightened realism that reflects the influence of Rembrandt and Titian. The print was published by the Albertina, Vienna, on the occasion of \u003ci\u003eJenny Saville: Gaze\u003c\/i\u003e, the artist’s first solo exhibition in Austria, which was held at the museum and featured the original painting, among works spanning the last twenty years.\u003c\/p\u003e","brand":"Gagosian Shop","offers":[{"title":"Default Title","offer_id":46609588387997,"sku":"SAVIL 2025.0005","price":2200.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0263\/1503\/0621\/files\/saville_gaze.jpg?v=1741965055"},{"product_id":"jenny-saville-gaze-book","title":"Jenny Saville: Gaze","description":"\u003cp\u003ePublished by Hatje Cantz, this book accompanies \u003ci\u003eJenny Saville: Gaze\u003c\/i\u003e at the Albertina, Vienna—the artist’s first solo exhibition in Austria. In addition to presenting several new works, \u003ci\u003eGaze\u003c\/i\u003e offered retrospective insight into her practice over the last two decades. Oscillating between figurative representation and painterly abstraction, Saville engages with the history of art while depicting bodies and faces that accentuate the immediacy and corporeal nature of her subjects.\u003c\/p\u003e\n\u003cp\u003eThe bilingual (English\/German) catalogue features vibrant reproductions and details of more than twenty-five paintings and works on paper, as well as numerous photographs of Saville’s studio in Oxford, England. It includes a foreword by Albertina director Ralph Gleis, a conversation between the artist and curator Angela Stief, and an essay by Elisabeth Bronfen on Saville’s image-making techniques and the mythopoetic implications of her work.\u003c\/p\u003e","brand":"Not Gagosian","offers":[{"title":"Default Title","offer_id":46649386926237,"sku":"AB\/CMS_JSAVI07","price":55.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0263\/1503\/0621\/files\/saville_albertina_cover.jpg?v=1743780782"},{"product_id":"willem-de-kooning-ten-paintings-1983-1985-book","title":"Willem de Kooning: Ten Paintings, 1983–1985","description":"\u003cp\u003eThis book was published on the occasion of \u003ci\u003eWillem de Kooning: Ten Paintings, 1983–1985\u003c\/i\u003e at Gagosian, 980 Madison Avenue, New York. Organized in collaboration with the Willem de Kooning Foundation and curated by John Elderfield, this focused exhibition featured paintings from a critical three-year period in the final decade of the artist’s long career. Beginning in 1983, de Kooning initiated a dramatic reinvention, condensing the richly tactile, painterly qualities of his earlier work into ever narrower bands of prismatic hues set against variously toned whites. Thin, mobile lines of vivid color seem to buckle and turn in pictorial space, shaping an elusive figuration within paintings that are both visually open and densely embodied.\u003c\/p\u003e\n\u003cp\u003eThe catalogue includes tipped-in color plates of the paintings, along with details and archival photographs of the works in process. Elderfield offers close interpretations of each work in “Ten Paintings, Ten Themes,” an essay that contextualizes de Kooning’s major stylistic shifts during this period. In another section, painters Cecily Brown, Albert Oehlen, David Reed, Jenny Saville, and Terry Winters each reflect on de Kooning’s late works—Brown and Winters via excerpts from talks given at the 2011 \u003ci\u003ede Kooning Now\u003c\/i\u003e symposium and Oehlen, Reed, and Saville in conversation with Elderfield. The volume also includes a foreword by Larry Gagosian, a detailed chronology of de Kooning’s career from 1983 through 1985 compiled by Lauren Mahony, and full cataloguing for each of the works.\u003c\/p\u003e","brand":"Gagosian","offers":[{"title":"Default Title","offer_id":46679725637789,"sku":"GGI\/CMS_WDEKO09","price":100.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0263\/1503\/0621\/files\/de-kooning-ten-paintings_cover.jpg?v=1745863339"},{"product_id":"crash-poster-box-set","title":"Crash Poster Box Set","description":"\u003cp\u003eThis boxed set of fourteen folded posters was produced in 2010, in conjunction with \u003ci\u003eCrash: Homage to JG Ballard\u003c\/i\u003e at Gagosian, Britannia Street, London. Taking its title from Ballard’s visionary 1973 novel, the group exhibition—which followed the writer’s death in 2009—presented works by artists inspired by Ballard’s highly influential dystopian vision, including his contemporaries Richard Hamilton, Roy Lichtenstein, Ed Ruscha, and Andy Warhol, as well as younger artists such as Glenn Brown, Tacita Dean, Mike Nelson, and Jenny Saville.\u003c\/p\u003e\n\u003cp\u003eThe set includes photographs taken by Ballard of his Ford Zephyr after a car accident in 1973, as well as artwork by Paul Delvaux (\u003ci\u003eLe canapé bleu\u003c\/i\u003e, 1967), Cyprien Gaillard (\u003ci\u003eView of Sighthill Cemetery\u003c\/i\u003e, 2008), Douglas Gordon (\u003ci\u003eSelf-Portrait of You + Me (Jayne Mansfield)\u003c\/i\u003e, 2007), Damien Hirst (\u003ci\u003eSuicide Bomber (Aftermath)\u003c\/i\u003e, 2004–05), Edward Hopper (\u003ci\u003eIntermission\u003c\/i\u003e, 1963), Lichtenstein (\u003ci\u003eExplosion II\u003c\/i\u003e, 1965), Florian Maier-Aichen (\u003ci\u003eUntitled (Freeway Crash)\u003c\/i\u003e, 2002), Adam McEwen (\u003ci\u003eI’m So Tired\u003c\/i\u003e, 2007), Eduardo Paolozzi (\u003ci\u003eZero Energy Experiment Pile (Z.E.E.P.)\u003c\/i\u003e, 1969–70), Richard Prince (\u003ci\u003eElvis\u003c\/i\u003e, 2007), Ruscha (\u003ci\u003eFountain of Crystal\u003c\/i\u003e, 2009), Saville (\u003ci\u003eWitness\u003c\/i\u003e, 2009), and Warhol (\u003ci\u003eGreen Disaster (Green Disaster Twice)\u003c\/i\u003e, 1963).\u003c\/p\u003e\n\u003cp\u003eThe posters in this set were also sold individually unfolded, as were additional posters featuring artwork by Jean-Michel Basquiat (\u003ci\u003eUntitled (Red Man)\u003c\/i\u003e, 1981) and Richard Prince (\u003ci\u003eCrashed\u003c\/i\u003e, 2006–10), which are not included in this set.\u003c\/p\u003e","brand":"Gagosian","offers":[{"title":"Default Title","offer_id":46965848932509,"sku":"CRASH.BOXEDSET.POSTERS","price":300.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0263\/1503\/0621\/files\/crash_box_set.jpg?v=1750442634"},{"product_id":"jenny-saville-the-anatomy-of-painting-book","title":"Jenny Saville: The Anatomy of Painting","description":"\u003cp\u003eThis book was published on the occasion of \u003ci\u003eJenny Saville: The Anatomy of Painting\u003c\/i\u003e, an exhibition organized in 2025 by the National Portrait Gallery, London, which traveled to the Modern Art Museum of Fort Worth, Texas. The largest major museum exhibition of Saville’s paintings in the UK to date and the first in the US, it brought together works from throughout the artist’s career, including many not previously shown or published. The exhibition traced the development of her practice since the early 1990s and featured large-scale oil paintings and drawings that explore the interplay of figuration, abstraction, and the historical traditions of portraiture, as well as recent portraits that interrogate the connections between the physical and virtual in our image-saturated age.\u003c\/p\u003e\n\u003cp\u003eThe volume reproduces the sixty exhibited works and includes numerous details and studio photography. Following a foreword by Victoria Siddall, the catalogue features illustrated essays by John Elderfield, Roxane Gay, Andrea Karnes, Emanuele Coccia, and Nicholas Cullinan that examine Saville’s technical and conceptual development and her integration of art historical allusion. It also includes an interview between Saville and curator Sarah Howgate exploring the roots of the artist’s methodology and discussing her work’s key imagery and influences.\u003c\/p\u003e","brand":"Not Gagosian","offers":[{"title":"Default Title","offer_id":47063104553117,"sku":"AB\/CMS_JSAVI08","price":55.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0263\/1503\/0621\/files\/saville_anatomy-of-painting_cover.jpg?v=1754331029"},{"product_id":"gagosian-quarterly-fall-2025-issue","title":"Gagosian Quarterly: Fall 2025 Issue","description":"\u003cp\u003eThe \u003cspan style=\"text-decoration: underline;\"\u003e\u003ca href=\"https:\/\/gagosian.com\/quarterly\/issues\/fall-2025\/\" title=\"This is a link to read the Fall 2025 issue of Gagosian Quarterly\"\u003eFall 2025 issue of \u003ci\u003eGagosian Quarterly\u003c\/i\u003e\u003c\/a\u003e\u003c\/span\u003e is now available, featuring Andy Warhol’s \u003ci\u003eBlue Liz as Cleopatra\u003c\/i\u003e (1962) on the cover. In an accompanying essay, Carlos Valladares considers Warhol’s fascination with the silver screen and its constellation of stars.\u003c\/p\u003e\n\u003cp\u003eThe Fall \u003ci\u003eQuarterly\u003c\/i\u003e includes a roundtable with John Currin, Jenny Saville, and Dana Schutz on the impact Willem de Kooning’s work has had on their own artistic formation. Ahead of an exhibition of new paintings, Nathaniel Mary Quinn discusses his engagement with literature in general and the novels of Alice Walker in particular. And in other examples of cross-pollination, Harry Thorne writes on Peter Doig and music, and novelist Douglas Stuart speaks with Saville about shared experiences in writing and painting.\u003c\/p\u003e\n\u003cp\u003eElsewhere in the issue: Jordan Carter explores Cady Noland’s Polaroids, Ekaterina Juskowski delves into the life and work of Olga de Amaral, Ben Street argues for the contemporary importance of Fra Angelico, and much more.\u003c\/p\u003e","brand":"Gagosian","offers":[{"title":"Default Title","offer_id":47159641047197,"sku":"GGI\/CMS_QUART55","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0263\/1503\/0621\/files\/35_Fall_2025_cover.jpg?v=1756831954"},{"product_id":"jenny-saville-a-ca-pesaro-poster","title":"Jenny Saville a Ca’ Pesaro","description":"\u003cp\u003eThis poster featuring a detail from the painting \u003ci\u003eFocus\u003c\/i\u003e (2022–24) was produced in 2026, in conjunction with \u003ci\u003eJenny Saville a Ca’ Pesaro\u003c\/i\u003e at Ca’ Pesaro–Galleria Internazionale d’Arte Moderna, the first major exhibition of the artist’s work in Venice. In her depictions of the human face and body, Saville moves beyond both figuration and abstraction, layering paint until it becomes as visceral as flesh itself. Bringing together more than thirty canvases and works on paper from the 1990s to the present, the presentation at Ca’ Pesaro traced the development of Saville’s practice and illuminated its deep art historical roots by positioning her work in dialogue with the great Venetian artists of the past.\u003c\/p\u003e","brand":"Not Gagosian","offers":[{"title":"Default Title","offer_id":47792645669021,"sku":"GGI\/CMS_JSAVI21","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0263\/1503\/0621\/files\/saville-ca-pesaro.jpg?v=1773769459"},{"product_id":"gagosian-quarterly-summer-2026-issue","title":"Gagosian Quarterly: Summer 2026 Issue","description":"\u003cp\u003eThe \u003ca href=\"https:\/\/gagosian.com\/quarterly\/issues\/summer-2026\/\" title=\"This is a link to read the Summer 2026 issue of Gagosian Quarterly\" rel=\"noopener\" target=\"_blank\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eSummer 2026 issue of \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"text-decoration: underline;\"\u003eGagosian Quarterly\u003c\/span\u003e\u003c\/i\u003e\u003c\/a\u003e is now available, featuring Ellen Gallagher’s \u003ci\u003eFast-Fish and Loose-Fish \u003c\/i\u003e(2026)\u003ci\u003e \u003c\/i\u003eon the cover.\u003c\/p\u003e\n\u003cp\u003eInside the issue is an excerpt from Sharad Chari’s recent essay on Ellen Gallagher, musing on his visit to the artist’s studio in Rotterdam, Netherlands. Sebastian Smee writes of Francis Bacon’s time in Paris, Adam D. Weinberg ruminates on Giuseppe Penone’s enduring engagement with bronze, and Derrick Adams joins Tessa Bachi Haas in conversation ahead of his first mid-career survey.\u003c\/p\u003e\n\u003cp\u003eWith the opening of the 61st Biennale di Venezia, a number of the magazine’s features engage with the history and contemporary culture of the storied city. Jenny Saville speaks with art historian Stefania Ventra to mark her major exhibition at Ca’ Pesaro–Galleria Internazionale d’Arte Moderna. In an essay bridging the Republic of Venice and the twenty-first century, Ben Street explores the timeless resonance of Giovanni Domenico Tiepolo’s tragicomic frescoes. And Nancy Spector discusses her bold pairing of Richard Prince and Arthur Jafa in an exhibition at the Fondazione Prada.\u003c\/p\u003e\n\u003cp\u003eIn the world of literature, Helen Oyeyemi shares the second installment of her fiction series \u003ci\u003eAs You Wish\u003c\/i\u003e, Mary Gaitskill speaks with Jill Mulleady about their recent Picture Books collaboration inspired by Faust, Wyatt Allgeier interviews Andrew Durbin on the occasion of his new dual biography of Peter Hujar and Paul Thek, and Alana Pockros guides us through the refractive wonderlands of novelist Elaine Kraf.\u003c\/p\u003e\n\u003cp\u003eElsewhere in the issue, Carlos Valladares ponders Charli XCX’s mockumentary \u003ci\u003eThe Moment\u003c\/i\u003e, Janne Sirén examines Anselm Kiefer’s mythological figures, and three luminaries from the worlds of design, fashion, and food—Ronan Bouroullec, Michèle Lamy, and Enrique Olvera—consider the furniture of Donald Judd.\u003c\/p\u003e","brand":"Gagosian","offers":[{"title":"Default Title","offer_id":47894646063261,"sku":"GGI\/CMS_QUART58","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0263\/1503\/0621\/files\/38_Summer_2026_cover.jpg?v=1777487381"},{"product_id":"jenny-saville-a-ca-pesaro-book","title":"Jenny Saville a Ca’ Pesaro","description":"\u003cp\u003eThis book was published on the occasion of \u003ci\u003eJenny Saville a Ca’ Pesaro\u003c\/i\u003e at Ca’ Pesaro–Galleria Internazionale d’Arte Moderna, the first major exhibition of the artist’s work in Venice, which coincides with the 61st Biennale di Venezia. Bringing together more than thirty canvases and works on paper from the 1990s to the present, it traces the development of her practice and its roots in the history of painting. Saville’s monumental canvases are presented in dialogue with the past at Ca’ Pesaro, with the exhibition’s final room featuring never-before-seen works created in response to Venice.\u003c\/p\u003e\n\u003cp\u003eThe bilingual (English\/Italian) catalogue features reproductions of the exhibited works alongside full-bleed details of several paintings and numerous installation photographs. An essay by exhibition curator Elisabetta Barisoni delves into the originality of Saville’s paintings and the depth of her engagement with art historical sources. A conversation between the artist and Stefania Ventra discusses her formative years, her pursuit of emotional truth, and the influence of the old masters on her work. A foreword by Luigi Brugnaro, the mayor of Venice, and acknowledgments by Mariacristina Gribaudi, president of Fondazione Musei Civici di Venezia, are also included.\u003c\/p\u003e","brand":"Gagosian","offers":[{"title":"Default Title","offer_id":47897061523613,"sku":"GGI\/CMS_JSAVI20","price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0263\/1503\/0621\/files\/jenny-saville-a-ca-pesaro-cover-v2.jpg?v=1778506110"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0263\/1503\/0621\/collections\/saville_web.jpg?v=1635796238","url":"https:\/\/gagosianshop.com\/collections\/jenny-saville.oembed?page=3","provider":"Gagosian Shop","version":"1.0","type":"link"}